Classic Movie ~ Vintage Bette Davis : Jezebel (1938)

When I was growing up, Sunday afternoons were special.  My big sister and I loved to watch movies on TV. We both especially loved Bette Davis; whether she was a bad lady or a good girl, she was a SUPER STAR!! 

In this particular movie, she was Julie Morrison, a brazen, sassy, bold, and audacious Southern belle. She dared to be an independent woman with a mind of her own, who challenged society's norms. In the process of being rebellious, arrogant, and contrary, she caused a rift between her and her future husband. What did she do that was so outrageous and shameful? Uumm … she showed up to a party in a red dress!

I was very young at the time, and being that red is my favorite color, I didn't get what all the huffing and puffing was about. My older sister explained to me that refined and cultured women in polite society would never wear a red dress. That's the mark of a whore!! A wicked woman!! A she-devil!!

With that very clear and graphic explanation provided by my big sister, I was able to better understand this scene and this line in the movie, and that also explains the name of the movie.

“𝙄 𝙥𝙪𝙩 𝙤𝙣 𝙩𝙝𝙞𝙨 𝙬𝙝𝙞𝙩𝙚 𝙙𝙧𝙚𝙨𝙨 𝙛𝙤𝙧 𝙮𝙤𝙪, 𝙩𝙤 𝙝𝙚𝙡𝙥 𝙢𝙚 𝙩𝙚𝙡𝙡 𝙮𝙤𝙪 𝙝𝙤𝙬 𝙝𝙪𝙢𝙗𝙡𝙮 𝙄 𝙖𝙨𝙠 𝙮𝙤𝙪 𝙩𝙤 𝙛𝙤𝙧𝙜𝙞𝙫𝙚 𝙢𝙚.” ~ Bette Davis - JEZEBEL (1938)

♦ Bette Davis - "I'm Kneeling To You" from Jezebel (1938)

♦ Filmsite Movie Review: Jezebel (1938) ~ "The film earned a total of five Academy Award nominations with two major Oscar victories. Bette Davis won her second (and last) Academy Award for her portrayal of the tempestuous, manipulative Southern ante-bellum New Orleans belle for Warner Bros." 

Here are some fascinating, lesser-known facts about Jezebel (1938) with Bette Davis:

1. Bronze vs. Red Dress
   Although Julie Marsden’s iconic gown at the Olympus Ball is widely remembered as red, on film it was actually a bronze colored dress. The reason: bronze showed up better on black and white film than red would. (IMDb)

2. Delayed and Over Budget — Wyler’s Perfectionism
   The production ran 28 days behind schedule, and the film was significantly over its original budget (about $400,000 over). Much of the delay came from director William Wyler demanding many takes and insisting on precision, especially in scenes with Bette Davis. (Watch TCM)

3. Multiple Costume Workers & Expense
   About 75 seamstresses worked for roughly a month on the costumes. The film’s wardrobe budget was large, with some dresses (like the bronze /red dress) costing about $850 each. Overall, several thousand dollars were spent on costumes. (AFI Catalog)

4. Rushed into Production in Response to Gone With the Wind
   Warner Bros. moved Jezebel forward in part because they saw the success and impending cultural presence of Gone With the Wind. They wanted a Southern set, antebellum romance starring Bette Davis to hit screens beforehand. (Watch TCM)

5. Broadway Origins & Flop
   The movie was adapted from a Broadway play by Owen Davis Sr., which had opened and closed in 1933 after only 32 performances. Miriam Hopkins originally played Julie in the play. (Classic Movie Hub - CMH)

6. Casting Last Minute Changes
   Henry Fonda was not originally cast as Pres Dillard. He replaced another actor (Jeffrey Lynn) who could not be released from another commitment. (Classic Movie Hub - CMH)

7. Personal and Romantic Tensions Behind The Scenes
   On set, there were personal entanglements: Bette Davis and William Wyler developed a romantic relationship during filming. Also, there was tension with Henry Fonda early on about the many takes and schedule delays. (IMDb)

8. Wyler’s Directorial Insight vs. Davis’s Artistry
   One famous anecdote: Wyler made Davis watch dailies (the raw uncut takes) with him and showed her a take of Julie coming down a staircase — she’d been irritated by how many takes it took. But in the dailies, she saw a single take with a fleeting expression that captured the essence of Julie, and it changed how she trusted Wyler’s process. (IMDb)

9. Role of Close-ups Without Leading Man
   Because Fonda had a contractual commitment and had to leave before all of Davis’s close-ups were shot, some close-ups of Davis were done without Fonda opposite her. That meant she often had to emote and react off-screen, relying on direction rather than partner chemistry in certain scenes. (AFI Catalog)

10. Costume Continuity Goof (Sleeves Disappear)
    A small but interesting “goof”: In some shots of the gown, the red/bronze dress has sleeves, and in others (including the ball scene) it appears sleeveless. Continuity in costume wasn’t perfect. (IMDb)

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REFERENCES:

“Jezebel (1938) – Trivia & Fun Facts.” Turner Classic Movies (TCM). Includes info on the 28-day delay, costume budget, red/bronze dress, etc. (WatchTCM)

“Jezebel – Catalog Entry.” AFI Catalog (American Film Institute). Provides production details including costuming, shooting schedule, completion date, etc. (AFICatalog)

“Facts about ‘Jezebel’ – Classic Movie Hub.” ClassicMovieHub. Various trivia tidbits: delays, stage play origin, etc. (ClassicMovie Hub - CMH)

“Happy Birthday, Bette Davis—You ‘Jezebel’!” Library of Congress – Now See Hear! Blog. Background on the Broadway play origins, Wyler’s interest in the play, etc. (The Library of Congress)

“Exploring JEZEBEL (1938)” – Kellee Pratt (blog). On Wyler’s directorial style, takes, costume details, and anecdotes about the film’s production. (Outspoken & Freckled)

Bette Davis Movies on Amazon Prime Video